RESERVED to Franco Senesi

LATEST INSTITUTIONAL EXHIBITIONS

 

PALAZZO VENEZIA, ROME

“MORENO BONDI. LA LUCE E L’OMBRA DI CARAVAGGIO NEL CONTEMPORANEO” 

 

 

VENICE BIENNAL

by invitation of  Ministry of Cultural Heritage

 

BIENNAL SACRE TRIANGLE, THE NETHERLANDS

cured by Guus Van Den Hout

 

CORTONA, POLO MUSEALE SANT’AGOSTINO

“MORENO BONDI INTERSEZIONI”

cured by Maria Laura Perilli

 

SYNCHRONICITY EARTH FOUNDATION

LONDON

 

REPRESENTATIVE ARTWORKS

OIL PAINTING, SCULPTURE, INTROFLEXION, BURNING, INSTALLATION

“CONVERSIONE D’AMORE”, oil on canvas, introflexion, sculptures (Carrara Statuario marble), cm. 160x200x12

 

“CRITICALLY ENDANGERED”, Installation

 

SERIES BURNINGS

Technique: oil on overlaying paintings and burnings

 

“ROMA”, oil on linen canvas and burns on overlapped paintings, 200×200

 

“ANTINOO”, oil on linen canvas and burns on overlapped, paintings, com. 200×200

 

“LAOCOONTE” oil on linen canvas and burns on overlapped paintings 150×250 

 

 

SERIES PAINTINGS & SCULPTURES

Tecnique: oil . on canvas and marble sculptures

“PAROLE DI PIETRA” Oil on canvas and sculpture (Carrara Statuario marble) 180×180

 

“OBELISCO”, oil on canvas and sculpture (Carrara Statuario marble), 200×300

 

” ABBRACCI” oil on canvas and marble sculpture (Carrara Statuario marble and Belgium Black marble), cm. 185×170

 

SERIES INTROFLEXIONS 

Technique: painting on introflexed canvas and marble sculpture

MERAVIGLIOSO, oil on canvas, introflexion, sculpture (Carrara Statuario marble), cm. 180x180x10 180×180

SERIES  PAINTINGS

Technique: oil on canvas

 

SERIES SCULPTURES

Techinique: Carrara Statuario marble sculpture

 

 

“IL VASCELLO DI ULISSE”, table-sculpture, Carrara Statuario marble cm. 300x180x90

SERIES INSTALLATIONS

Technique: Paintings, marble sculptures, video and soundtrack

“ICARO” (Installation)
Technique and medium:
Painting: oil on canvas (cm 220×150)
Sculpture (marble wing worked by the artist own, cm. 100X60x30)
n. 28 sketches (oil on canvas and sculpture fragments), soundtrack

 

“CRITICALLY ENDANGERED” (Installation) Technique and medium: Paintings (oil on overlying paintings and burnings, cm 100×100 and n.9 sketches cm. 25×25), video and soundtrack

“BURNINGS”: Moreno Bondi plays the reckless destruction of the common cultural heritage (landscape, beauty, archaeology, art) by burning his impressive and precious paintings painted with oil. An installation of flames and fire introduces “CRITICALLY ENDANGERED”, a series of works crying the devastation caused by willing disdain and unconscious carelessness of beauty….